The Dutch Italianates: 17th Century Masterpieces from Dulwich Picture Gallery, London
“For many, this view of the Italian landscape seen through Dutch eyes will be a revelation, allowing the visitor to see some of the most beautiful paintings of the 17th century.”
– Kurt Shaw, Pittsburgh Tribune Review
“Hotly collected and widely revered, these brilliant 17th-century artists—known as the Dutch Italianates—mixed the warm light, scenery and people of the Italian countryside with a keen, definitively Northern eye for detail and the ability to manipulate paint like few others.”
– Mark St. John Erickson, Daily Press
The Dutch Italianates: Seventeenth-Century Masterpieces from the Dulwich Picture Gallery, Londonthrows a spotlight on a remarkable but little-seen genre: Italian landscapes of the 17th century as seen through the eyes of some of the most accomplished Dutch artists of the Golden Age. The exhibition features a group of 40 paintings from a collection formed for a king, highlighting masterpieces by Aelbert Cuyp, Nicolaes Berchem, Karel Dujardin, Philips Wouwermans, and Adam Pynacker. These artists were at the height of their powers and reputation, and their groundbreaking work profoundly influenced the 18th century French and English aesthetic, and even carried over to 19th century America.
Unlike most of the foreign painters who flocked to Italy in the 17th century, the Dutch Italianates developed their own, hybrid style of picturesque landscape art. Their works, which combined Italian light, landscapes, and marble ruins with closely observed peasant life of the sort favored by artists of the Dutch Golden Age, were absolutely unique and turned out to be wildly influential. For the burgeoning middle class of 17th century Holland—which had just begun to expand its global reach—bucolic scenes of the sun-dappled Roman campagna and hills were an ideal respite from the flat, windswept, often cloudy vistas of their own country. For almost two centuries, Dutch Italianate landscapes were among the most celebrated and widely collected in the genre, both in Europe and America.
This exhibition offers an exceptional opportunity to view masterworks from the world-class collection of the Dulwich Picture Gallery, London, a collection formed originally for a king (Stanislaus Augustus, the last king of Poland) that has been called the best small museum in all of Europe.
Muscarelle Museum of Art at The College of William & Mary,
Williamsburg, VA
November 13, 2008 – March 22, 2009
Fresno Metropolitan Museum of Art and Science, Fresno, CA
April 11 – June 21, 2009
Frick Art & Historical Center, Pittsburgh, PA
July 11 – September 20, 2009
Oklahoma City Museum of Art, Oklahoma City, OK
October 8, 2009 – January 3, 2010
A touch of the Dutch Golden Age
Daily Press, by Mark St. John Erickson, November 16, 2008
No-name Dutch masters
Richmond Times-Dispatch, by Roy Proctor, November 30, 2008
Muscarelle’s Dutch Italianate exhibit sheds light on Dutch art history
The Virginia Informer, by Meredith Wachs, February 18, 2009
17th-century Dutch masters had new view of the Italian landscape
Pittsburgh Tribune-Review, by Kurt Shaw, July 12, 2009
A little Italy
Oklahoma Gazette, by Allison Meier, October 7, 2009
‘Italianates’ exhibition in Oklahoma City features masterful 17th-century oil paintings (print and video)
The Oklahoman, by Brandy McDonnell, October 9, 2009
Dulwich meets Oklahoma
Dulwich OnView, by Steve Slack, January 12, 2010