Art in Context: Pakistan

On November 18, 2015, IA&A hosted its first Art in Context panel discussion at IA&A’s Hillyer Art Space, which featured a discussion with Saamia Ahmed, Curator and Professor at the National College of Arts in Lahore, Melanie Bixby, Executive Director of the U.S.-Pakistan Women’s Council, and Shaista Khilji, Professor at The George Washington University. The conversation was moderated by Wajahat Ali, Creative Director of Affinislabs.

Art in Context: Pakistan explored the impact of current cultural shifts within Pakistani arts and society. The panelists discussed contemporary influences on Pakistani culture, the implications of empowering formerly marginalized citizens, as well as what action is needed from future leaders. They recognized how women, artists, and millennials throughout Pakistan are leading groundbreaking initiatives to establish a more equal, creative society and to counterbalance the negative perceptions of Pakistan abroad. Together with Pakistani leaders, international partners from the public and private sectors are supporting cultural and economic initiatives, ranging from promotion of the arts to women’s entrepreneurship training. Commitments to the arts and to gender equity have resulted in a change in thinking among men and women who seek to engage all Pakistanis, regardless of gender or circumstance. At the discussion’s close, those in attendance acknowledged the important role that these dialogues play in expanding perspectives of the role of the arts in the international arena.

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A project of IA&A’s Cultural Exchange Programs, the International Partnership Initiative champions international work between American arts institutions and their counterparts abroad by creating a forum for discussion and discovery among leaders in the artistic, academic, diplomatic, and policy communities. The Initiative’s research and programming facilitates cross-cultural understanding and builds stronger ties through global partnerships in the arts.

Exchange Visitor Profile: Alex Rinsler

Alex Rinsler participated in International Arts & Artists J-1 visa program in 2011, when he was a trainee at Feats, Inc. in Baltimore, MD. His exposure to event planning and marketing followed into his production of several events, including HOME in Manchester, which hosted more than 100 events throughout five days, more than 200 artists, and over 15,000 visitors at the opening. We caught up with Alex to hear about his projects and successes in his home country of the United Kingdom.

Looking back, what are your thoughts about your experience at Feats?

I was so lucky to find a home at Feats in Baltimore. I worked with Feats CEO Founder Paul Wolman; through his mentorship I got to experience a successful, mid-size events company in a moment of organisational evolution. Paul is the driver behind many community projects, so I got insight into different aspects of life in Baltimore.

What projects are you working on now in Manchester?

Right now I am writing to you from Helsinki, Finland, where I am a visiting Mobius Fellow, working with Kiasma to help producer URB15, the Urban Arts Festival. And I’ve just returned from South Africa, on a three-week stay with Dr Ricardo Peach of the Free State Arts Festival in Bloemfontein, doing R/D for a large public artwork for next year’s festival. It is strange to go from winter in a hot country to summer in a cold one!

At the end of May, in Manchester (UK) I produced the launch for HOME, a new purpose-built arts centre for international contemporary art, film and theatre. It is a very exciting time to be in the city: there is dynamism behind its varied cultural offer.

What are some of the differences, if any, in working in Manchester versus in your host city, Baltimore?

Every city is uniquely defined by its physical space, by the people who live there and the stories they call their own. Whether it’s ‘I heart MCR’ or ‘Made in Baltimore’ there’s a common drive to use the city’s name and 'brand’ for good, to create imagery and projects that people will be proud of. Both have strong civic identities, long and varied cultural and industrial heritage and large student populations. Both have their share of social and economic challenges.

The language of work is different between the UK and the US. It’s hard to articulate: you guys write emails differently to us. We drink more tea than you do: we even make tea for each other. We get 28 days leave a year, on average - you get 20. Our NHS means we’re not tied to work-based health insurance.

This is academic for me: I’m a freelancer working in arts and culture. Freelancers make up a third of the US workforce now and that’s growing. We don’t have benefits, holiday pay or sick pay. So it’s about building a sustainable pipeline of work, building relationships with people so that they’ll work with you again and recommend you to others, and having a portfolio career that spreads risk.

What advice would you have for someone who is starting an exchange program?

First of all - awesome! You’ve found a great way to learn what it means to live and work in America. It is not easy - you have to make the opportunities for yourself - but the rewards in terms of learning and experience are well worth it. Give yourself permission to miss home - it’s inevitable at some point.

Make the space to look after yourself: eat well, integrate and find friends, get involved in the local communities where you live so you have a life outside your sponsored workplace. In Baltimore I put together an event called 'Ignite for a Better Baltimore’ to bring together the city’s social entrepreneurs. This was a great excuse to talk to everyone and get myself known.

Get a credit card and bank account if you can, and all the things that help you build an independent life. Travel far and wide… just say yes! Set expectations with your sponsor and don’t be afraid to ask for what you need in terms of money, contacts and opportunities. They might not have worked with J1 trainees before, it will help you to be pro-active in setting your goals.

What does cultural exchange mean to you?

Cultural exchange - for me - is how we build trust and bond with people who are different. And it is so important! There’s a lot of shortsightedness, racism and fear, which are right now driving political and economic decisions. These are damaging the planet and leading to conflict. We need more people to stand up and say 'no!: we’ve shared food together, we’ve worked together, we’ve met each other, we understand each other’.

The exchange bit is hard. You don’t build trust through transactions alone, but through human relationships and gifts freely given. Cultural exchange has the risk of the unknown woven through it, and that’s what makes it so exciting.

Exchange Visitor Profile: Richard Jones

From 2013 to 2014, Richard Jones trained at 101 Productions, Ltd. in New York through International Arts & Artists’ J-1 visa program. We recently got in touch with Richard, who spoke with us about his cultural exchange experience and his thoughts on making the transition from the United Kingdom to the Big Apple.

Looking back, what are your thoughts about your experience at 101 Productions?

Incredible - 10 months since leaving my 18 months away feels weirdly like a dream! I learned so much, both professionally and personally, and feel like I’ve returned to the UK with a whole new New York family, and many new ways of looking at my career.

What projects are you working on now in London?

I am now working for David Pugh Productions Ltd. on a variety of projects using many of the experiences I learnt in New York to good use!

What advice would you have for someone who is starting an exchange program?

Be open to everything; say yes to every opportunity that comes your way; talk to everyone you can; ask questions at every chance you get; go to bed tired every night!

 

What are some of the differences, if any, in working in theater in New York versus in London?

Everything is bigger and faster! Ultimately, it’s the same on both sides of the pond - to produce great theatre that is artistically and commercially successful … but the ways of getting there, thought process and roles that people take are all slightly varied. There is definitely more money involved in the United States - shows costs a lot more to mount on Broadway than they do in the West End in almost every area, and therefore there’s a lot more investors’ money on the line - but it means when you get a hit on Broadway, the financial rewards are also bigger. The presence of such a large subsidized sector of the theatre industry in the UK is also one of the major, major differences.

What does cultural exchange mean to you?

I think it means learning as much as possible about your industry around the world, to take home and hopefully impact your work process in a positive way - but also to hopefully bring your British ideas to a New York office. But whilst the work environment is a huge part of it - the idea of a cultural exchange is really to soak up and learn about the entire way a new city works!

Exchange Visitor Profile: Daniel Arosemena

Name: Daniel Arosemena

From: The Netherlands

Intern at: Thom Browne (New York, NY)

Q: Tell us about one of your favorite projects you worked on in your internship.

There were many interesting projects I worked on during my internship, but without a doubt the most important, and my favorite, was the runway collection for Autumn/Winter 2015-16. I had the privilege to assist the design team during the inception, development and production of the collection. I was able to contribute with digital work, help with the organization of styles and fabrications and collaborate with the communication with the factories. Theproject culminated with a trip to Paris to help the team prepare everything for the show, which was unreal.

Q: Where was your favorite place to go to in New York?

New York is an amazing city that has so much to offer it is almost impossible to think of only one favorite place; but if I had to choose it would be Central Park. I enjoyed walking on the park, having a pretzel from time to time and looking at the gorgeous view of Manhattan; it is the perfect combination of romance and modernity that characterizes New York so much. It was also very cool to go ice-skating during the Christmas season with holiday music in the background and a cup of hot chocolate to keep you warm.

Q: Tell us about a funny or interesting moment you have experienced during your program.

Just at the beginning of my program I had to go to one of the suppliers in midtown to get some information that was needed in the studio. After receiving it, the owner of the factory asked me if I wanted to have a look at the place and get to know how the products were made. The brand creates handmade flowers from fabric in a million different ways. I got to see how the fabrics were treated, cut in traditional machines and assembled into appliqués. It was interesting to see that kind of tradition still being used and applied in fashion.

Q: What was your favorite new food you have tried in the United States?

My favorite new food is Korean. I had never had it before New York and a good friend of mine, Korean, happened to know a great place in Korean town. I tried kimchi and Korean stew and I found them delicious. I had such a great experience that when my husband came to visit, I took him there and he really enjoyed it.

Q: What has been your favorite cultural activity so far?

I tried to make the best out of my stay in New York and went to many events. Theater, museums, parades; they were all amazing but the one I found most interesting was the New York art book fair at the PS1 MoMA in Long Island. I liked how many people gathered to look for inspiration of all sorts. From expensive rare editions or art books to cheap independent booklets, everyone was interested in art and opened to interact with other artists. During the event rappers and DJs played live in the venue to keep the atmosphere up.

Q: What are some of the differences, if any, in working in the arts in the United States versus in the Netherlands and/or other countries where you have worked?

I experienced many differences between the two countries, especially in the way of working. New York demands a 24/7 attitude with a lot of energy and drive. People don’t stop moving and they are always hungry for more. What I really like is that the American industry is open to new ideas even if they are very radical and out of the box. In The Netherlands on the other hand has a calmer rhythm and is most important to achieve a balanced level of quality and quantity. What can sometimes be hard in Europe is that people are not as open to any idea because they have seen such much that people would quickly dismiss something that they don’t find interesting.

Q: You recently went to Paris to work with Thom Browne, tell us more about your experience there?

My trip to Paris was the perfect ending to the internship. I saw how everything came together. From the casting, the fittings, the last minute sewing to the dressing of the models it was a race to the start of the show. I had a lot of hours of labor but the adrenaline kept me on track to work as hard as ever. The experience helped me to have a better appreciation of a professional show; to keep in mind the big picture and to be focused and be consistent with the vision of the spectacle.

You can take a closer look at Thom Browne’s Fall 2015 Menswear collection here

Exchange Visitor Profile: Ken Kitano

In 2013, Japanese artist Ken Kitano trained at ROSEGALLERY in Santa Monica, California, through International Arts & Artists’ J-1 visa program. Two years later, the gallery is featuring his work in a solo show, Now, Here, and Beyond, which will be held from January 17 through March 7, 2015.

Inspired by the rich history and practice of West Coast landscape photography, Kitano’s photographs illustrate the relationship between nature, human life and planetary movements.

Read more about his show at rosegallery.net!

Host Spotlight: Dallas Museum of Art

The Dallas Museum of Art, based in Dallas, Texas, is among the ten largest art museums in the United States. The museum’s collection contains over 22,000 works of art from around the globe, and their art research library, the Mildred R. and Frederick M. Mayer Library, contains more than 100,000 titles available to staff, docents, and the public.

We got in touch with Jill Bernstein, Director of Communications and Public Affairs, to hear her thoughts on being one of our host organizations.

Q: What are some of your favorite things about hosting exchange visitors?

For over forty years, the McDermott Internship Program at the Dallas Museum of Art has laid the foundation for many burgeoning professionals to pursue careers in museums and the arts. We encourage each intern class to interact both professionally and socially, to provide a complete and well-rounded internship experience. With their diverse backgrounds and unique experiences, international interns bring a global perspective that the group would be lacking otherwise. We appreciate being able to expose intern classes as well as Museum staff to museum practices from around the world as shared through our international exchange visitors.

Q: What are some of the interesting work-related tasks that Dallas Museum of Art interns get to do?

Not only do McDermott Interns have direct interaction with their respective supervisors and departments, but they are also able meet and work with staff across all departments of the Museum and work on projects both big and small. Some tasks completed by interns this year include creating an interpretive brochure for the special exhibition Bouquets: French Still-Life Painting from Chardin to Matisse, translating condition reports for incoming works of art from German into English, and helping to lead various education programs for visitors ranging from babies to adults.

Q: What are some of the cultural activities that Dallas Museum of Art interns get to take part in?

The Museum arranges cultural opportunities for each McDermott Internship class including visits to area museums, attendance to performances at various Dallas Arts District performing art venues, and tours of local private art collections, among other activities. Interns are also able to apply for $500 toward qualified professional development, which many have used to present papers and attend conferences at cities throughout the United States.

Q: What is the value to the Dallas Museum of Art hosting international exchange visitors?

As mentioned above, it is a wonderful opportunity for interns as well as for the DMA staff who work with them to gain diverse global perspectives on museums and the art world.

Q: What should people do if there are interested in applying to the Dallas Museum of Art internship program?

The Dallas Museum of Art offers nine paid internship positions in the Education and Curatorial Divisions, open to individuals with undergraduate or graduate degrees who are interested in exploring museum careers. Applications are available online at DMA.org/Internships each January, with interviews happening throughout the spring, for the upcoming fall internship class.

Exchange Visitor Profile: Shariffa Ali

Name: Shariffa Ali

From: Nairobi, Kenya

Trainee at: Public Theater (New York, NY)

Q: Tell us about one of your favorite projects you are working on in your internship.

I intern for a department in the Public Theater called PUBLIC WORKS, a major new initiative of The Public Theater that seeks to engage the people of New York by making them creators and not just spectators. Working with community partner organizations in all five boroughs, PUBLIC WORKS invites members of diverse communities to participate in theater workshops, to attend classes, to attend productions, and to become involved in the daily life of The Public Theater. PUBLIC WORKS deliberately blur the line between professional artists and community members: it will create theater that is not only for the people, but by and of the people as well.

A highlight this year was working with the cast and production team of THE WINTER’S TALE. This was a musical adaptation of Shakespeare’s play featuring more than 200 New Yorkers from all five boroughs performing alongside professional actors and The Public’s community partners. The show ran for three nights only, September 5-7, at the Delacorte Theater in Central Park. I was part of the team that co- ordinated the cast of community members, I was able to lead and facilitate the artistic process of a variety of people from all walks of life and all ages from itty bitty children to Senior Citizens. I was able to form genuine bonds with the members of the PUBLIC WORKS community ensemble and learn more about directing a large scale production that lies at the intersection between humanitarianism and entertainment.

Q: What is your favorite place to go to in New York?

New York is an incredibly vibrant robust city that is filled to the brim with enchanting and exciting spaces, to fit my every mood and fancy. Each new day offers new locations and nooks to explore and experience- it’s simply too hard for me to narrow down a few favorites. I am lucky enough that my internship requires me to experience each of the 5 Burroughs and I am proud to have been able to comb through the city from the tip of the Bronx to the tail of Brooklyn.

I love strolling past the beautiful brownstones in West Harlem–the Riverside Church with its intricate architecture and interesting attendees is a firm favorite. The Grand central main terminal featuring the famed domed painted ceiling evokes a sense of awe and wonder in me when I am in commute. When hungry for nature, a walk through the flowers at the Highline or a nap under a tree in Central Park will do. The bright beaming lights of the Times Square theatre district late at night have a way of reminding me that I am in fact living in the city of my dreams. An occasional trip to Williamsburg and Bushwick gives a friendly dose of quirky eclectic fun.

Q: Tell us about a funny or interesting moment you have experienced during your program.

Getting lost several times before ultimately finding ones destination can be a frustrating and fulfilling experience. Finding delight in unplanned adventures and encounters and continuing to remain in wonder of ones surroundings. These are just some of the highlights I have experienced during my time in the city. While interning at Public I have had the fortune of meeting some iconic figures in the theatre and film world!

Q: What is your favorite new food you have tried in the United States? What has been your favorite cultural activity so far?

I am a huge fan of Xian Famous Foods in the East Village for their mouthwatering spicy lamb cumin burgers. When I feel like a grown up and my budget permits, I head to The Red Rooster Lennox 125th street for their sleek and slick Harlem atmosphere. My summer favorite is a place I know only as ‘Caribe’ – an informal shebeen style establishment run by a stern Matriarch loved for their super affordable Puerto Rican Beer, Festive atmosphere and complimentary meals!

Q: What are some of the differences, if any, in working in the arts in the U.S. versus in your home country?

There is a vast difference between the infrastructure and funding of the arts in the USA. There are more opportunities and platforms for artists to develop and present their work. Because the arts industry is so large here, it is also extremely competitive and attracts people from different countries who have a plethora of skills and experiences, this makes for a very stimulating work experience. There is also a general sense of open heartedness and a willingness to collaborate. My training in my home country allows me to bring a fresh sense of perspective and approach to all my artistic endeavors which I value tremendously. I think there is a great variety and immense freedom of expression in the arts in the USA.

You can find Shariffa on Twitter and Instagram

Exchange Visitor Profile: Tim Fitzgerald

Name: Tim Fitzgerald

From: Birmingham, United Kingdom

Intern at: Escape Plan Productions (Austin, TX)

Q: Tell us about one of your favorite projects you are working on in your internship.

I am only a month into this internship, and it has been filled with a number of great projects; anything from basic editing, to really involved work from the start of the project to the finish. My personal favorite project I have worked on in my time so far in Austin has to be a 45 second bumper film that we made for Fantastic Fest 2014. Our film, Clownin’ Around (Warning: Contains scenes of violence, horror, and gore), was pretty highly regarded at the festival and almost won an award presented by Edgar Wright. On this set, I was the boom operator and sound designer, so I really got to experiment with some new and interesting design techniques.

Q: Where is your favorite place to go in Austin?

I’m a big fan of exploring cities, so I just like to hang out downtown. The city centre here in Austin is stunning, the buildings look great, everything is clean, and the people are so very friendly. Not to mention there is always something new to find in town every time you go in, be that a store, a bar or an event of some kind. There is just always something going on.

Q: Tell us about a funny or interesting moment that happened during your program.

There is a famous film production studio not too far from the Escape Plan offices, and I have admired one production company there for some time. Seeing a couple of guys from there hanging out downtown was a very surreal moment for me, as I has been a fan of this company for a number of years.

Q: What has been your favorite cultural activity so far?

Certainly the case with Austin, if you want to engage in cultural activity, just go out and meet people. Everyone here is so unique and comes from such a wide variety of backgrounds that it is seemingly impossible to pin down one culture. This may sound really obvious, everyone comes from different places and everyone has different experiences, but here in Austin, it seems to be so diverse in multiculturalism that you are constantly taking part and learning about cultures.

Q: What does cultural exchange mean to you?

Cultural exchange for me means to really engross yourself in a culture that is not your own, really get invested in something that you may not be used to. I personally think cultural exchange is how we grow as people, because we gain a better understanding of the world.

Q: What are your plans for the future once you finish your program in the United States?

I haven’t got anything set in stone yet, but I’m constantly applying for work in film, TV and video game production across the UK. This is a very short term plan, but I really think it will help me build up on my experience to become a better sound designer. As for a long term goal; I’m not certain as of right now, but I’ve always been the type to live on my wit, in that I go with whatever is going on at the time.

You can view more of Tim’s work here.

Host Spotlight: WORKac

WORKac, based in New York City, is interested in positing architecture at the intersection of the urban, the rural and the natural. WORKac has achieved international acclaim for projects such as the recently completed master plan for the New Holland Island Cultural Center in St. Petersburg, Russia, Wieden+Kennedy’s 50,000 sq ft, three story New York offices, the Blaffer Museum in Houston, Texas, the Children’s Museum of the Arts in Manhattan and the Edible Schoolyard at P.S. 216 in Gravesend, Brooklyn.

We got in touch with Sarah Dunham, Director of Communications at WORKac, to hear her thoughts about being one of our host organizations.

Q: What are some of your favorite things about hosting exchange visitors?

We love having a diverse group of international people in our office! Hosting J1 exchange visitors allows us to work with architecture students from around the world, which brings fresh perspectives to our office on a regular basis.

Q: What are some of the neat work-related tasks that WORKac interns get to do?

Interns at WORKac are involved in nearly every phase of the design process for projects that they work on. In addition to 3D modeling and rendering, interns are crucial to the physical model-making process, which is an important part of the design process at WORKac. Helping to translate design ideas into physical models allows the team to test ideas quickly and understand the spatial implications of a range of design options for various aspects of a process.

Q: What are some of the cultural activities that WORKac interns get to take part in?

Depending on what part of the year they have joined the office, interns generally get to enjoy the annual summer party out in Rhode Island which involves camping, kayaking, beach days, and good food, or the annual holiday party which has featured epic karaoke in the past. Every so often interns will get to visit some of our recently completed projects including the new offices for Wieden+Kennedy New York and the Edible Schoolyard Project at PS216. Rarely (but it does happen!) interns may get to attend an event hosted by Zero + Maria Cornejo, a brand whose retail stores we designed a few years back. In addition, we tend to have happy hours in the office every few weeks and we always send interns off with a small get-together to say thanks!

Q: What should people do if they are interested in applying to the WORKac internship program?

We receive applications on a rolling basis so they can send any materials to hr@work.ac. We are not able to host a ton of people at a time so spots are a bit limited but we would love to talk with any interested students!

You can view WORKac’s portfolio here

Exchange Visitor Profile: Alaa Awad

Name: Alaa Awad

From: Egypt

Scholar at: Massachusetts College of Liberal Arts Gallery 51 (North Adams, MA)

Q: What was the inspiration behind your mural, “Justice”?

The inspiration was Egyptian heritage and symbols of peace and happiness. MaHt, the goddess of Justice became the center of the mural.

Q: Where is your favorite place to go to in Massachusetts?

On the summit of Mount Greylock at an old lodge and restaurant where I gave a presentation. The views of the countryside from the mountaintop were fantastic.

Q: Tell us about a funny or interesting moment you have experienced during your program.

There were many interesting moments while I was working on the mural: like five teenage girls on walking to a concert stopped to paint on the mural with me or new friends sitting together on the sidewalk eating rhubarb pie looking at and talking about the mural. Many people volunteered and helped on the mural.

Q: What is your favorite new food you have tried in the United States?

Seafood!

Q: What has been your favorite cultural activity so far?

The Metropolitan Museum in NYC especially the African, Egyptian wings and the Modernism exhibitions.

Also, the mountain top and on the street where I was creating the mural I met many interesting people.

Q: What does cultural exchange mean to you?

It means exchanging knowledge and experience and the positive expressions in our lives. Leaving the mural here means that this exchange can keep going even though I’m returning to Egypt.

Alaa’s 100-ft mural, “Justice” is now on display along Center Street in North Adams, Massachusetts. Read more about the mural’s inspiration and hear from the MCLA show curator, Julia Mogan-Leamon. And watch the mural take shape with this process video!

Check out Alaa’s additional 12-painting installation, “Thebes”, in MCLA Gallery 51.

Alaa’s street art in Egypt during the Egyptian Revolution caught the eye of many citizens and reporters alike.