Exchange Programs

Art in Context: Ireland

by

On June 8, 2016, IA&A was privileged to host a panel discussion at IA&A’s Hillyer Art Space that explored perspectives on the role of the arts in shaping Irish cultural identity. Moderated by Allison Nance, Director of IA&A’s Hillyer Art Space, panelists included Claire Fitzgibbon, Consular & Cultural Affairs Counsellor at the Embassy of Ireland, Norman Houston, Director of the Northern Ireland Bureau, Jackie Hoysted, Curator and Visual Arts Director at Solas Nua, and Matt Torney, Associate Artistic Director at Studio Theatre.

As suggested by Fitzgibbon, Irish identity is fluid and increasingly complex. The panelists addressed the burgeoning importance of Irish identity within a broader European context, particularly as it relates to work on contemporary issues many artists are producing. Fitzgibbon and Houston highlighted their commitment to the arts despite tight budgets and competing priorities. The panelists also discussed the financial struggles that Irish artists face. Hoysted and Torney also spoke to the economic barriers that Irish artists must overcome due in part to cuts in government funding. They cited this as a catalyst for artists to create work that articulates the difficulties and societal issues that they face using humor, grit, and honesty.

________________________________________________________

A project of IA&A’s Cultural Exchange Programs, the International Partnership Initiative champions international work between American arts institutions and their counterparts abroad by creating a forum for discussion and discovery among leaders in the artistic, academic, diplomatic, and policy communities. The Initiative’s research and programming facilitates cross-cultural understanding and builds stronger ties through global partnerships in the arts.

Dancing Gatsby with Ballet Palm Beach

by

Performing with a premier ballet company is every dancer’s dream, a dream that J-1 participant Jessica Dandine is living with Ballet Palm Beach. Jessica began training at the age of six at the Conservatoire National de Région de Toulouse and later at the Line Jenny NEEL Ballet Dance Center. She danced professionally with the Ballet Deutsche Oper am Rhein in Dusseldorf before joining the company at Ballet Palm Beach in 2015.

This season, Jessica will be dancing the role of Daisy Buchanan in Gatsby, artistic director Colleen Smith’s re-imagining of F. Scott Fitzgerald’s masterpiece The Great Gatsby. We recently spoke with Jessica about her experience dancing with Ballet Palm Beach and working with dancers from around the world.

Where is your favorite place to go to in Palm Beach?

I love downtown Palm Beach, especially the trendy French restaurant called Le Rendez-Vouswhere I have met amazing French people. I love to go to City Place, which is a really nice area to hang out especially on the weekend. And I love having breakfast on the beach on the weekend in Jupiter, just a bit north from Palm Beach.

What has been your favorite cultural activity?

I love spending time with my American friends. I have learned a lot about their way of thinking. I have been a couple times to Orlando where I have met wonderful people and we had really great time together there. I loved every single experience I had during my stay. It is really hard to pick one among the others.

Tell us about a funny or interesting moment you have experienced during your program.

The funniest moment I experienced in rehearsal at Ballet Palm Beach was when we rehearsed the main pas de deux for Gatsby with my partner, Tyveze Littlejohn. We tried a lift for the first time and it went wrong. I was hanging in his arms in a really weird position and I started talking to him in French asking “çà va”. He was really surprised and said “Did you just speak French?” and I realized that no matter how much I love speaking English in emergency situation I will keep talking in French!

What are some of the differences in performing the U.S. versus in France?

I would say the atmosphere is different because I am surrounded by American people. They are really more excited by things especially performing than French people are. At the beginning of each performance we had a time together holding hands and hoping the show will go for the best and this was each time a really powerful moment. I loved it and it helped me to be confident and calm during the show. Then just realizing “I am performing in the USA, in Florida,” was really exciting.

Art in Context: Iran

by

On April 8, 2016, IA&A was honored to host a panel discussion with Barbara Slavin, Acting Director of the Future of Iran Initiative at the Atlantic Council, and Sara Namjoo, an Iranian illustrator and animator, at IA&A’s Hillyer Art Space.

Art in Context: Iran wove the arts and foreign policy sectors together to discuss concrete experiences of life in Iran and societal evolution over recent decades. Through descriptions of Iran pre-Revolution and post-Revolution, Slavin and Namjoo emphasized the contrast between the grayness of a post-revolution childhood and the rich colors and designs in Tehran. In addition to comments on their personal experiences, the panelists dismantled myths about Iranian society and culture, particularly in regards to women, who currently enjoy a variety of career opportunities and influential positions. The discussion also touched on the Iran Nuclear Deal, which recently lifted decades of oil and financial sanctions. The panelists spoke to the importance of the deal, which was intended to re-open Iran to the global economy and allow new channels of international collaboration. In particular, panelists considered how increased collaboration through the arts can offer non-political means of establishing bonds between nations.

________________________________________________________

A project of IA&A’s Cultural Exchange Programs, the International Partnership Initiative champions international work between American arts institutions and their counterparts abroad by creating a forum for discussion and discovery among leaders in the artistic, academic, diplomatic, and policy communities. The Initiative’s research and programming facilitates cross-cultural understanding and builds stronger ties through global partnerships in the arts.

Exchange Visitor Profile: Eugenio Saenz Flores

by

Ever wonder what it’s like to work behind-the-scenes on a Broadway production? Eugenio Saenz Flores got to do just that when he interned with Aurora Productions in New York, NY, through IA&A’s Cultural Exchange Programs. We recently caught up with Eugenio in Vancouver, Canada, where he is now working as a technical director at the Arts Club Theatre Company.

Looking back, what are your thoughts about your experience at Aurora Productions?

Aurora Productions was by far one of the best times I have had since my career started. Finishing school and moving to New York to work with them was a dream come true. Suddenly I was not on only one but over half a dozen Broadway theatres. Throughout my time there we worked in over a dozen Broadway shows, a couple off-Broadway and some national tours. Suddenly I was sitting in an empty theatre a few seats away from Woody Allen as we both watched a run of the play he had written. I believe that what I learned as an intern at Aurora Productions were lessons I could not have learned in any classroom and eventually opened many doors to let me be where I am now.

What projects are you working on now in Vancouver?

I am currently one of the three Technical Directors at the Arts Club Theatre Company, Canada’s largest western theatre company. I am overseeing our largest venue, the Stanley Stage, where we produce everything from a two-hander play to a full on musical productions. I am also in charge of the regional tours.

What are some of the differences, if any, in working in New York City versus in Vancouver?

I think one of the biggest difference from working in Vancouver, rather than New York, other than the budgets (and tourists), is that in New York I was able to work on shows that later got produced all over North America and sometimes the world. For instance here at the Arts Club, they have produced a handful of plays that I was able to work on Broadway.

What advice would you have for someone who is starting a J-1 program?

Transitioning from school life to work life can be scary, but with an internship program it allows you to slowly transition to a full time working mode while still being trained and slowly be given more responsibility. At least for me I feel my internship program advanced my career a couple of years just by interning a couple of months.

What does cultural exchange mean to you?

People within the same city think, act and do things differently, no try leaving your country. Having the chance to go intern elsewhere allows us to see how other people think, work and live. This ultimately improves how we see the world and how we do things. Opportunities like this not only broaden our perspective of the world, it also allows us to share our culture and way of doing things to other people. It is always a two way street, we will gain out of a cultural exchange as much as we are willing to give.

Art in Context: Pakistan

by

On November 18, 2015, IA&A hosted its first Art in Context panel discussion at IA&A’s Hillyer Art Space, which featured a discussion with Saamia Ahmed, Curator and Professor at the National College of Arts in Lahore, Melanie Bixby, Executive Director of the U.S.-Pakistan Women’s Council, and Shaista Khilji, Professor at The George Washington University. The conversation was moderated by Wajahat Ali, Creative Director of Affinislabs.

Art in Context: Pakistan explored the impact of current cultural shifts within Pakistani arts and society. The panelists discussed contemporary influences on Pakistani culture, the implications of empowering formerly marginalized citizens, as well as what action is needed from future leaders. They recognized how women, artists, and millennials throughout Pakistan are leading groundbreaking initiatives to establish a more equal, creative society and to counterbalance the negative perceptions of Pakistan abroad. Together with Pakistani leaders, international partners from the public and private sectors are supporting cultural and economic initiatives, ranging from promotion of the arts to women’s entrepreneurship training. Commitments to the arts and to gender equity have resulted in a change in thinking among men and women who seek to engage all Pakistanis, regardless of gender or circumstance. At the discussion’s close, those in attendance acknowledged the important role that these dialogues play in expanding perspectives of the role of the arts in the international arena.

________________________________________________________

A project of IA&A’s Cultural Exchange Programs, the International Partnership Initiative champions international work between American arts institutions and their counterparts abroad by creating a forum for discussion and discovery among leaders in the artistic, academic, diplomatic, and policy communities. The Initiative’s research and programming facilitates cross-cultural understanding and builds stronger ties through global partnerships in the arts.

Exchange Visitor Profile: Alex Rinsler

by

Alex Rinsler participated in International Arts & Artists J-1 visa program in 2011, when he was a trainee at Feats, Inc. in Baltimore, MD. His exposure to event planning and marketing followed into his production of several events, including HOME in Manchester, which hosted more than 100 events throughout five days, more than 200 artists, and over 15,000 visitors at the opening. We caught up with Alex to hear about his projects and successes in his home country of the United Kingdom.

Looking back, what are your thoughts about your experience at Feats?

I was so lucky to find a home at Feats in Baltimore. I worked with Feats CEO Founder Paul Wolman; through his mentorship I got to experience a successful, mid-size events company in a moment of organisational evolution. Paul is the driver behind many community projects, so I got insight into different aspects of life in Baltimore.

What projects are you working on now in Manchester?

Right now I am writing to you from Helsinki, Finland, where I am a visiting Mobius Fellow, working with Kiasma to help producer URB15, the Urban Arts Festival. And I’ve just returned from South Africa, on a three-week stay with Dr Ricardo Peach of the Free State Arts Festival in Bloemfontein, doing R/D for a large public artwork for next year’s festival. It is strange to go from winter in a hot country to summer in a cold one!

At the end of May, in Manchester (UK) I produced the launch for HOME, a new purpose-built arts centre for international contemporary art, film and theatre. It is a very exciting time to be in the city: there is dynamism behind its varied cultural offer.

What are some of the differences, if any, in working in Manchester versus in your host city, Baltimore?

Every city is uniquely defined by its physical space, by the people who live there and the stories they call their own. Whether it’s ‘I heart MCR’ or ‘Made in Baltimore’ there’s a common drive to use the city’s name and 'brand’ for good, to create imagery and projects that people will be proud of. Both have strong civic identities, long and varied cultural and industrial heritage and large student populations. Both have their share of social and economic challenges.

The language of work is different between the UK and the US. It’s hard to articulate: you guys write emails differently to us. We drink more tea than you do: we even make tea for each other. We get 28 days leave a year, on average - you get 20. Our NHS means we’re not tied to work-based health insurance.

This is academic for me: I’m a freelancer working in arts and culture. Freelancers make up a third of the US workforce now and that’s growing. We don’t have benefits, holiday pay or sick pay. So it’s about building a sustainable pipeline of work, building relationships with people so that they’ll work with you again and recommend you to others, and having a portfolio career that spreads risk.

What advice would you have for someone who is starting an exchange program?

First of all - awesome! You’ve found a great way to learn what it means to live and work in America. It is not easy - you have to make the opportunities for yourself - but the rewards in terms of learning and experience are well worth it. Give yourself permission to miss home - it’s inevitable at some point.

Make the space to look after yourself: eat well, integrate and find friends, get involved in the local communities where you live so you have a life outside your sponsored workplace. In Baltimore I put together an event called 'Ignite for a Better Baltimore’ to bring together the city’s social entrepreneurs. This was a great excuse to talk to everyone and get myself known.

Get a credit card and bank account if you can, and all the things that help you build an independent life. Travel far and wide… just say yes! Set expectations with your sponsor and don’t be afraid to ask for what you need in terms of money, contacts and opportunities. They might not have worked with J1 trainees before, it will help you to be pro-active in setting your goals.

What does cultural exchange mean to you?

Cultural exchange - for me - is how we build trust and bond with people who are different. And it is so important! There’s a lot of shortsightedness, racism and fear, which are right now driving political and economic decisions. These are damaging the planet and leading to conflict. We need more people to stand up and say 'no!: we’ve shared food together, we’ve worked together, we’ve met each other, we understand each other’.

The exchange bit is hard. You don’t build trust through transactions alone, but through human relationships and gifts freely given. Cultural exchange has the risk of the unknown woven through it, and that’s what makes it so exciting.

Exchange Visitor Profile: Richard Jones

by

From 2013 to 2014, Richard Jones trained at 101 Productions, Ltd. in New York through International Arts & Artists’ J-1 visa program. We recently got in touch with Richard, who spoke with us about his cultural exchange experience and his thoughts on making the transition from the United Kingdom to the Big Apple.

Looking back, what are your thoughts about your experience at 101 Productions?

Incredible - 10 months since leaving my 18 months away feels weirdly like a dream! I learned so much, both professionally and personally, and feel like I’ve returned to the UK with a whole new New York family, and many new ways of looking at my career.

What projects are you working on now in London?

I am now working for David Pugh Productions Ltd. on a variety of projects using many of the experiences I learnt in New York to good use!

What advice would you have for someone who is starting an exchange program?

Be open to everything; say yes to every opportunity that comes your way; talk to everyone you can; ask questions at every chance you get; go to bed tired every night!

 

What are some of the differences, if any, in working in theater in New York versus in London?

Everything is bigger and faster! Ultimately, it’s the same on both sides of the pond - to produce great theatre that is artistically and commercially successful … but the ways of getting there, thought process and roles that people take are all slightly varied. There is definitely more money involved in the United States - shows costs a lot more to mount on Broadway than they do in the West End in almost every area, and therefore there’s a lot more investors’ money on the line - but it means when you get a hit on Broadway, the financial rewards are also bigger. The presence of such a large subsidized sector of the theatre industry in the UK is also one of the major, major differences.

What does cultural exchange mean to you?

I think it means learning as much as possible about your industry around the world, to take home and hopefully impact your work process in a positive way - but also to hopefully bring your British ideas to a New York office. But whilst the work environment is a huge part of it - the idea of a cultural exchange is really to soak up and learn about the entire way a new city works!

Exchange Visitor Profile: Daniel Arosemena

by

Name: Daniel Arosemena

From: The Netherlands

Intern at: Thom Browne (New York, NY)

Q: Tell us about one of your favorite projects you worked on in your internship.

There were many interesting projects I worked on during my internship, but without a doubt the most important, and my favorite, was the runway collection for Autumn/Winter 2015-16. I had the privilege to assist the design team during the inception, development and production of the collection. I was able to contribute with digital work, help with the organization of styles and fabrications and collaborate with the communication with the factories. Theproject culminated with a trip to Paris to help the team prepare everything for the show, which was unreal.

Q: Where was your favorite place to go to in New York?

New York is an amazing city that has so much to offer it is almost impossible to think of only one favorite place; but if I had to choose it would be Central Park. I enjoyed walking on the park, having a pretzel from time to time and looking at the gorgeous view of Manhattan; it is the perfect combination of romance and modernity that characterizes New York so much. It was also very cool to go ice-skating during the Christmas season with holiday music in the background and a cup of hot chocolate to keep you warm.

Q: Tell us about a funny or interesting moment you have experienced during your program.

Just at the beginning of my program I had to go to one of the suppliers in midtown to get some information that was needed in the studio. After receiving it, the owner of the factory asked me if I wanted to have a look at the place and get to know how the products were made. The brand creates handmade flowers from fabric in a million different ways. I got to see how the fabrics were treated, cut in traditional machines and assembled into appliqués. It was interesting to see that kind of tradition still being used and applied in fashion.

Q: What was your favorite new food you have tried in the United States?

My favorite new food is Korean. I had never had it before New York and a good friend of mine, Korean, happened to know a great place in Korean town. I tried kimchi and Korean stew and I found them delicious. I had such a great experience that when my husband came to visit, I took him there and he really enjoyed it.

Q: What has been your favorite cultural activity so far?

I tried to make the best out of my stay in New York and went to many events. Theater, museums, parades; they were all amazing but the one I found most interesting was the New York art book fair at the PS1 MoMA in Long Island. I liked how many people gathered to look for inspiration of all sorts. From expensive rare editions or art books to cheap independent booklets, everyone was interested in art and opened to interact with other artists. During the event rappers and DJs played live in the venue to keep the atmosphere up.

Q: What are some of the differences, if any, in working in the arts in the United States versus in the Netherlands and/or other countries where you have worked?

I experienced many differences between the two countries, especially in the way of working. New York demands a 24/7 attitude with a lot of energy and drive. People don’t stop moving and they are always hungry for more. What I really like is that the American industry is open to new ideas even if they are very radical and out of the box. In The Netherlands on the other hand has a calmer rhythm and is most important to achieve a balanced level of quality and quantity. What can sometimes be hard in Europe is that people are not as open to any idea because they have seen such much that people would quickly dismiss something that they don’t find interesting.

Q: You recently went to Paris to work with Thom Browne, tell us more about your experience there?

My trip to Paris was the perfect ending to the internship. I saw how everything came together. From the casting, the fittings, the last minute sewing to the dressing of the models it was a race to the start of the show. I had a lot of hours of labor but the adrenaline kept me on track to work as hard as ever. The experience helped me to have a better appreciation of a professional show; to keep in mind the big picture and to be focused and be consistent with the vision of the spectacle.

You can take a closer look at Thom Browne’s Fall 2015 Menswear collection here. 

Exchange Visitor Profile: Ken Kitano

by

In 2013, Japanese artist Ken Kitano trained at ROSEGALLERY in Santa Monica, California, through International Arts & Artists’ J-1 visa program. Two years later, the gallery is featuring his work in a solo show, Now, Here, and Beyond, which will be held from January 17 through March 7, 2015.

Inspired by the rich history and practice of West Coast landscape photography, Kitano’s photographs illustrate the relationship between nature, human life and planetary movements.

Read more about his show at rosegallery.net!

Host Spotlight: Dallas Museum of Art

by

The Dallas Museum of Art, based in Dallas, Texas, is among the ten largest art museums in the United States. The museum’s collection contains over 22,000 works of art from around the globe, and their art research library, the Mildred R. and Frederick M. Mayer Library, contains more than 100,000 titles available to staff, docents, and the public.

We got in touch with Jill Bernstein, Director of Communications and Public Affairs, to hear her thoughts on being one of our host organizations.

Q: What are some of your favorite things about hosting exchange visitors?

For over forty years, the McDermott Internship Program at the Dallas Museum of Art has laid the foundation for many burgeoning professionals to pursue careers in museums and the arts. We encourage each intern class to interact both professionally and socially, to provide a complete and well-rounded internship experience. With their diverse backgrounds and unique experiences, international interns bring a global perspective that the group would be lacking otherwise. We appreciate being able to expose intern classes as well as Museum staff to museum practices from around the world as shared through our international exchange visitors.

Q: What are some of the interesting work-related tasks that Dallas Museum of Art interns get to do?

Not only do McDermott Interns have direct interaction with their respective supervisors and departments, but they are also able meet and work with staff across all departments of the Museum and work on projects both big and small. Some tasks completed by interns this year include creating an interpretive brochure for the special exhibition Bouquets: French Still-Life Painting from Chardin to Matisse, translating condition reports for incoming works of art from German into English, and helping to lead various education programs for visitors ranging from babies to adults.

Q: What are some of the cultural activities that Dallas Museum of Art interns get to take part in?

The Museum arranges cultural opportunities for each McDermott Internship class including visits to area museums, attendance to performances at various Dallas Arts District performing art venues, and tours of local private art collections, among other activities. Interns are also able to apply for $500 toward qualified professional development, which many have used to present papers and attend conferences at cities throughout the United States.

Q: What is the value to the Dallas Museum of Art hosting international exchange visitors?

As mentioned above, it is a wonderful opportunity for interns as well as for the DMA staff who work with them to gain diverse global perspectives on museums and the art world.

Q: What should people do if there are interested in applying to the Dallas Museum of Art internship program?

The Dallas Museum of Art offers nine paid internship positions in the Education and Curatorial Divisions, open to individuals with undergraduate or graduate degrees who are interested in exploring museum careers. Applications are available online at DMA.org/Internships each January, with interviews happening throughout the spring, for the upcoming fall internship class.