Blurring Boundaries: The Women of American Abstract Artists, 1936-Present
“The stamp of modern art is clarity: clarity of color, clarity of forms and of composition, clarity of determined dynamic rhythm, in a determined space. Since figuration often veils, obscures or entirely negates purity of plastic expression, the destruction of the particular form for the universal one becomes a prime prerequisite.”
- Perle Fine (1905-1988)
The hierarchy of distilled form, immaculate line, and pure color came close to being the mantra of 1930s modern art—particularly that of American Abstract Artists (AAA), the subject of a new exhibition entitled Blurring Boundaries: The Women of American Abstract Artists, 1936 – Present. From the outset—due as much to their divergent status as abstract artists as to their gender—women of American Abstract Artists were already working on the periphery of the art world. In contrast to the other abstract artist collectives of the period, where equal footing for women was unusual, AAA provided a place of refuge for female artists. Through fifty-six works, Blurring Boundaries explores the artists’ astounding range of styles, including their individual approaches to the guiding principles of abstraction: color, space, light, material, and process.
More than eighty years after its founding, AAA continues to nurture and support a vibrant community of artists with diverse identities and wide-ranging approaches to abstraction. In celebration of this tradition, Blurring Boundaries: The Women of American Abstract Artists traces the extraordinary contributions of the female artists within AAA, from the founders to today’s practicing members. Included are works by historic members Perle Fine, Esphyr Slobodkina, Irene Rice Pereira, Alice Trumbull Mason, and Gertrude Greene, as well as current members such as Ce Roser, Irene Rousseau, Judith Murray, Alice Adams, Merrill Wagner and Katinka Mann.
An awe-inspiring celebration of this intergenerational group of artists—one that is both comprehensive and long overdue—Blurring Boundaries highlights the indelible ways in which the women of AAA have, for more than eighty years, shifted and shaped the frontiers of American abstraction.
Please contact TravelingExhibitions@ArtsandArtists.org for more information.
Number of Works: 56 works of art, including paintings, prints, drawings, sculpture, mixed media, and videos
Organized by: The Ewing Gallery at the University of Tennessee, Knoxville; and the Clara M. Eagle Gallery at Murray State University, Kentucky
Curator: Rebecca DiGiovanna, Independent Curator
Conceived by: Creighton Michael
Approximate size: 200-250 linear feet
Security: Moderate security
Participation Fee: Please inquire
Shipping: IA&A makes all arrangements; exhibitors pay outgoing shipping costs within the contiguous US
Booking Period: 12 weeks; Shorter and longer periods available upon request, pricing may vary
Tour: September 2020 – September 2023
Publication: Blurring Boundaries: the Women of American Abstract Artists, 1936–Present, edited by Sam Yates and Emily Berger
Contact: TravelingExhibitions@ArtsandArtists.org
FULLY BOOKED
South Bend Museum of Art, South Bend, IN
October 17, 2020 – January 3, 2021
The Baker Museum, Naples, FL
March 28, 2021 – July 25, 2021
Freedman Gallery at Albright College, Reading, PA
August 31, 2021 – December 17, 2021
Peeler Art Center, DePauw University, Greencastle, IN
February 8, 2022 – May 9, 2022
LSU Museum of Art, Baton Rouge, LA
July 14, 2022 – October 23, 2022
California Center for the Arts, Escondido, CA
December 3, 2022 – February 26, 2023
Mattatuck Museum, Waterbury, CT
May 7, 2023 – September 10, 2023
Exhibition Prospectus (pages) (full-spread)
Please contact TravelingExhibitions@ArtsandArtists.org for Exhibition Checklist.