Exchange Visitor

Building Peace Through Art

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Hyppolite Ntigurirwa has a vision for peace. After witnessing the horrors of genocide, he turned to the transformative power of art to help spread his message of peace. He started a theater group at his school in Rwanda as a way to unite students from different ethnic groups. “We witnessed the power of performing arts to bring people together, challenging the status quo and starting the long process of social change,” he said of the experience. Since then, Hyppolite has continued to use theater as a tool for healing, reconciliation, and peacebuilding in post-conflict communities both in Rwanda and abroad.

This fall, Hyppolite is participating in International Art & Artists’ J-1 scholar program. He is completing an artist-in-residence program with Arts Connect International, an organization that cultivates and connects leaders in the arts field committed to cultural and social inclusion. The program has given Hyppolite the opportunity connect with other artists and social activists, acquire key arts management skills, and further develop his artistic body of work. “My experience with Arts Connect International has been a fantastic opportunity to grow as an entrepreneurial artist and leader,” Hyppolite told us.

We recently connected with Hyppolite to learn more about his time in Boston with Arts Connect International. Keep reading for more on his experience and learn more about Cultural Exchange Programs here.

Can you tell us a bit about your unique perspective and background, and how it has helped you to become an arts leader?

A few months after surviving The Genocide Against the Tutsi in Rwanda at a young age (seven), I was frustrated by not finding a means to tell the horror I have experienced and to transmit my message to the community. Sitting in class was like sitting in experimental memories. I was not able to tell my story and transmit my message of peace until I was helped by a teacher to create a theatre club. The club included children from both survivors’ families and perpetrators’ families, which wasn’t easy to start up an inclusive community just after the genocide. However, we experienced the power of performing arts when the whole community enjoyed our performances and everyone happened to support the club. I continued the same practices in high school, in university, and now I combine my genocide experiences with sociological theories (and practices) and theatre techniques to stop the inter-generational transmission of hatred.

Tell us more about your experience so far with Arts Connect International.

Working with Arts Connect International has been really useful to me in many ways a global change agent. First of all, having been the first international artist to be selected for their Artist-in-Residence program, it is a tremendous . . . to me in terms of accessing artistic and leadership skills, knowledge, experiences from all sorts of people in Boston. Arts Connect International not only provides this exposure but also provides professional and healthy guidance to making much more impact to the bigger community.

What is your favorite cultural activity to do in Boston?

Boston is a hub of people with passion for social change and innovation. There is always a lot going on in the city! There are loads of historical traces (museums, freedom trails, educational institutions, etc.) My top amazing cultural activities in Boston include attending networking and discussion events about social change, visiting different sites (historical and newly-created), and finally in Boston it is where you organize an event and you get people come!

What have your learned during your J-1 program?

Within my residence with Arts Connect International in Boston, I have gained huge knowledge, skills and resources necessary to increase my professional work and my career as an artist leader. Among many other, I have covered experiences and learnt a lot about program management, arts project management, techniques of playwriting, sociometrics techniques through theatre, strategic planning, leadership skills, budget and project management skills, communication skills, fundraising skills, cross-cultural competency, monitoring and evaluation, arts education and pedagogy, creating theory of change model, digital marketing and promotion, as well as entrepreneurial and development models for individual and organizations.

What does cultural exchange mean to you?

As far as I look to what I wish the cultural exchange would be, I understand “cultural exchange” as sharing experiences, values, works, knowledge, skills and habits with the mission to make the world a much more inclusive and peaceful place.

Discovering the Film Industry in LA

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For someone looking to gain experience in the entertainment industry, Los Angeles is the place to be! For Anna Jane Edmonds, it was the perfect place to spend eighteen months training with Silver Pictures, a film production company in Santa Monica, CA. Keep reading for more on Anna Jane’s experience!

Looking back, what are your thoughts about your experience at Silver Pictures Entertainment?

I had the opportunity to be a part of a large American film production company where the experience I gathered has given me the skills to continue my path in the entertainment industry. This was an invaluable experience and I will reference back to it all the time. I was fortunate to work with amazing people and learn an exceptional amount from them.

What projects are you working on now in Toronto?

I am currently at the end of a horror movie entitled THE HERETICS with Black Fawn Films and I am producing a short science fiction film in July.

What are some of the differences, if any, in working in Los Angeles versus in Toronto?

There are many differences, mainly the access to industry professionals. LA is saturated with film and television whereas Toronto is home to many different industries. There is a lot of talent in Toronto, though, so I am excited to be back!

What advice would you have for someone who is starting a J-1 program?

Say yes to the experiences you are offered in the office, you never know what you can learn from trying a job/task that you don’t think you will like – you never know, you may end up enjoying it!

What does cultural exchange mean to you?

Cultural exchange can mean many different things. It can be argued that Canada and the U.S. are not that culturally different, however I would disagree. There are many similarities but the differences are what makes this type of exchange so valuable. The way the film industry functions in the U.S. is different than in Canada, so my experience of the culture surrounding film in the U.S. will carry me throughout the rest of my career.

Dancing Gatsby with Ballet Palm Beach

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Performing with a premier ballet company is every dancer’s dream, a dream that J-1 participant Jessica Dandine is living with Ballet Palm Beach. Jessica began training at the age of six at the Conservatoire National de Région de Toulouse and later at the Line Jenny NEEL Ballet Dance Center. She danced professionally with the Ballet Deutsche Oper am Rhein in Dusseldorf before joining the company at Ballet Palm Beach in 2015.

This season, Jessica will be dancing the role of Daisy Buchanan in Gatsby, artistic director Colleen Smith’s re-imagining of F. Scott Fitzgerald’s masterpiece The Great Gatsby. We recently spoke with Jessica about her experience dancing with Ballet Palm Beach and working with dancers from around the world.

Where is your favorite place to go to in Palm Beach?

I love downtown Palm Beach, especially the trendy French restaurant called Le Rendez-Vouswhere I have met amazing French people. I love to go to City Place, which is a really nice area to hang out especially on the weekend. And I love having breakfast on the beach on the weekend in Jupiter, just a bit north from Palm Beach.

What has been your favorite cultural activity?

I love spending time with my American friends. I have learned a lot about their way of thinking. I have been a couple times to Orlando where I have met wonderful people and we had really great time together there. I loved every single experience I had during my stay. It is really hard to pick one among the others.

Tell us about a funny or interesting moment you have experienced during your program.

The funniest moment I experienced in rehearsal at Ballet Palm Beach was when we rehearsed the main pas de deux for Gatsby with my partner, Tyveze Littlejohn. We tried a lift for the first time and it went wrong. I was hanging in his arms in a really weird position and I started talking to him in French asking “çà va”. He was really surprised and said “Did you just speak French?” and I realized that no matter how much I love speaking English in emergency situation I will keep talking in French!

What are some of the differences in performing the U.S. versus in France?

I would say the atmosphere is different because I am surrounded by American people. They are really more excited by things especially performing than French people are. At the beginning of each performance we had a time together holding hands and hoping the show will go for the best and this was each time a really powerful moment. I loved it and it helped me to be confident and calm during the show. Then just realizing “I am performing in the USA, in Florida,” was really exciting.

Exchange Visitor Profile: Eugenio Saenz Flores

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Ever wonder what it’s like to work behind-the-scenes on a Broadway production? Eugenio Saenz Flores got to do just that when he interned with Aurora Productions in New York, NY, through IA&A’s Cultural Exchange Programs. We recently caught up with Eugenio in Vancouver, Canada, where he is now working as a technical director at the Arts Club Theatre Company.

Looking back, what are your thoughts about your experience at Aurora Productions?

Aurora Productions was by far one of the best times I have had since my career started. Finishing school and moving to New York to work with them was a dream come true. Suddenly I was not on only one but over half a dozen Broadway theatres. Throughout my time there we worked in over a dozen Broadway shows, a couple off-Broadway and some national tours. Suddenly I was sitting in an empty theatre a few seats away from Woody Allen as we both watched a run of the play he had written. I believe that what I learned as an intern at Aurora Productions were lessons I could not have learned in any classroom and eventually opened many doors to let me be where I am now.

What projects are you working on now in Vancouver?

I am currently one of the three Technical Directors at the Arts Club Theatre Company, Canada’s largest western theatre company. I am overseeing our largest venue, the Stanley Stage, where we produce everything from a two-hander play to a full on musical productions. I am also in charge of the regional tours.

What are some of the differences, if any, in working in New York City versus in Vancouver?

I think one of the biggest difference from working in Vancouver, rather than New York, other than the budgets (and tourists), is that in New York I was able to work on shows that later got produced all over North America and sometimes the world. For instance here at the Arts Club, they have produced a handful of plays that I was able to work on Broadway.

What advice would you have for someone who is starting a J-1 program?

Transitioning from school life to work life can be scary, but with an internship program it allows you to slowly transition to a full time working mode while still being trained and slowly be given more responsibility. At least for me I feel my internship program advanced my career a couple of years just by interning a couple of months.

What does cultural exchange mean to you?

People within the same city think, act and do things differently, no try leaving your country. Having the chance to go intern elsewhere allows us to see how other people think, work and live. This ultimately improves how we see the world and how we do things. Opportunities like this not only broaden our perspective of the world, it also allows us to share our culture and way of doing things to other people. It is always a two way street, we will gain out of a cultural exchange as much as we are willing to give.

Exchange Visitor Profile: Alex Rinsler

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Alex Rinsler participated in International Arts & Artists J-1 visa program in 2011, when he was a trainee at Feats, Inc. in Baltimore, MD. His exposure to event planning and marketing followed into his production of several events, including HOME in Manchester, which hosted more than 100 events throughout five days, more than 200 artists, and over 15,000 visitors at the opening. We caught up with Alex to hear about his projects and successes in his home country of the United Kingdom.

Looking back, what are your thoughts about your experience at Feats?

I was so lucky to find a home at Feats in Baltimore. I worked with Feats CEO Founder Paul Wolman; through his mentorship I got to experience a successful, mid-size events company in a moment of organisational evolution. Paul is the driver behind many community projects, so I got insight into different aspects of life in Baltimore.

What projects are you working on now in Manchester?

Right now I am writing to you from Helsinki, Finland, where I am a visiting Mobius Fellow, working with Kiasma to help producer URB15, the Urban Arts Festival. And I’ve just returned from South Africa, on a three-week stay with Dr Ricardo Peach of the Free State Arts Festival in Bloemfontein, doing R/D for a large public artwork for next year’s festival. It is strange to go from winter in a hot country to summer in a cold one!

At the end of May, in Manchester (UK) I produced the launch for HOME, a new purpose-built arts centre for international contemporary art, film and theatre. It is a very exciting time to be in the city: there is dynamism behind its varied cultural offer.

What are some of the differences, if any, in working in Manchester versus in your host city, Baltimore?

Every city is uniquely defined by its physical space, by the people who live there and the stories they call their own. Whether it’s ‘I heart MCR’ or ‘Made in Baltimore’ there’s a common drive to use the city’s name and 'brand’ for good, to create imagery and projects that people will be proud of. Both have strong civic identities, long and varied cultural and industrial heritage and large student populations. Both have their share of social and economic challenges.

The language of work is different between the UK and the US. It’s hard to articulate: you guys write emails differently to us. We drink more tea than you do: we even make tea for each other. We get 28 days leave a year, on average - you get 20. Our NHS means we’re not tied to work-based health insurance.

This is academic for me: I’m a freelancer working in arts and culture. Freelancers make up a third of the US workforce now and that’s growing. We don’t have benefits, holiday pay or sick pay. So it’s about building a sustainable pipeline of work, building relationships with people so that they’ll work with you again and recommend you to others, and having a portfolio career that spreads risk.

What advice would you have for someone who is starting an exchange program?

First of all - awesome! You’ve found a great way to learn what it means to live and work in America. It is not easy - you have to make the opportunities for yourself - but the rewards in terms of learning and experience are well worth it. Give yourself permission to miss home - it’s inevitable at some point.

Make the space to look after yourself: eat well, integrate and find friends, get involved in the local communities where you live so you have a life outside your sponsored workplace. In Baltimore I put together an event called 'Ignite for a Better Baltimore’ to bring together the city’s social entrepreneurs. This was a great excuse to talk to everyone and get myself known.

Get a credit card and bank account if you can, and all the things that help you build an independent life. Travel far and wide… just say yes! Set expectations with your sponsor and don’t be afraid to ask for what you need in terms of money, contacts and opportunities. They might not have worked with J1 trainees before, it will help you to be pro-active in setting your goals.

What does cultural exchange mean to you?

Cultural exchange - for me - is how we build trust and bond with people who are different. And it is so important! There’s a lot of shortsightedness, racism and fear, which are right now driving political and economic decisions. These are damaging the planet and leading to conflict. We need more people to stand up and say 'no!: we’ve shared food together, we’ve worked together, we’ve met each other, we understand each other’.

The exchange bit is hard. You don’t build trust through transactions alone, but through human relationships and gifts freely given. Cultural exchange has the risk of the unknown woven through it, and that’s what makes it so exciting.

Exchange Visitor Profile: Richard Jones

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From 2013 to 2014, Richard Jones trained at 101 Productions, Ltd. in New York through International Arts & Artists’ J-1 visa program. We recently got in touch with Richard, who spoke with us about his cultural exchange experience and his thoughts on making the transition from the United Kingdom to the Big Apple.

Looking back, what are your thoughts about your experience at 101 Productions?

Incredible - 10 months since leaving my 18 months away feels weirdly like a dream! I learned so much, both professionally and personally, and feel like I’ve returned to the UK with a whole new New York family, and many new ways of looking at my career.

What projects are you working on now in London?

I am now working for David Pugh Productions Ltd. on a variety of projects using many of the experiences I learnt in New York to good use!

What advice would you have for someone who is starting an exchange program?

Be open to everything; say yes to every opportunity that comes your way; talk to everyone you can; ask questions at every chance you get; go to bed tired every night!

 

What are some of the differences, if any, in working in theater in New York versus in London?

Everything is bigger and faster! Ultimately, it’s the same on both sides of the pond - to produce great theatre that is artistically and commercially successful … but the ways of getting there, thought process and roles that people take are all slightly varied. There is definitely more money involved in the United States - shows costs a lot more to mount on Broadway than they do in the West End in almost every area, and therefore there’s a lot more investors’ money on the line - but it means when you get a hit on Broadway, the financial rewards are also bigger. The presence of such a large subsidized sector of the theatre industry in the UK is also one of the major, major differences.

What does cultural exchange mean to you?

I think it means learning as much as possible about your industry around the world, to take home and hopefully impact your work process in a positive way - but also to hopefully bring your British ideas to a New York office. But whilst the work environment is a huge part of it - the idea of a cultural exchange is really to soak up and learn about the entire way a new city works!

Exchange Visitor Profile: Daniel Arosemena

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Name: Daniel Arosemena

From: The Netherlands

Intern at: Thom Browne (New York, NY)

Q: Tell us about one of your favorite projects you worked on in your internship.

There were many interesting projects I worked on during my internship, but without a doubt the most important, and my favorite, was the runway collection for Autumn/Winter 2015-16. I had the privilege to assist the design team during the inception, development and production of the collection. I was able to contribute with digital work, help with the organization of styles and fabrications and collaborate with the communication with the factories. Theproject culminated with a trip to Paris to help the team prepare everything for the show, which was unreal.

Q: Where was your favorite place to go to in New York?

New York is an amazing city that has so much to offer it is almost impossible to think of only one favorite place; but if I had to choose it would be Central Park. I enjoyed walking on the park, having a pretzel from time to time and looking at the gorgeous view of Manhattan; it is the perfect combination of romance and modernity that characterizes New York so much. It was also very cool to go ice-skating during the Christmas season with holiday music in the background and a cup of hot chocolate to keep you warm.

Q: Tell us about a funny or interesting moment you have experienced during your program.

Just at the beginning of my program I had to go to one of the suppliers in midtown to get some information that was needed in the studio. After receiving it, the owner of the factory asked me if I wanted to have a look at the place and get to know how the products were made. The brand creates handmade flowers from fabric in a million different ways. I got to see how the fabrics were treated, cut in traditional machines and assembled into appliqués. It was interesting to see that kind of tradition still being used and applied in fashion.

Q: What was your favorite new food you have tried in the United States?

My favorite new food is Korean. I had never had it before New York and a good friend of mine, Korean, happened to know a great place in Korean town. I tried kimchi and Korean stew and I found them delicious. I had such a great experience that when my husband came to visit, I took him there and he really enjoyed it.

Q: What has been your favorite cultural activity so far?

I tried to make the best out of my stay in New York and went to many events. Theater, museums, parades; they were all amazing but the one I found most interesting was the New York art book fair at the PS1 MoMA in Long Island. I liked how many people gathered to look for inspiration of all sorts. From expensive rare editions or art books to cheap independent booklets, everyone was interested in art and opened to interact with other artists. During the event rappers and DJs played live in the venue to keep the atmosphere up.

Q: What are some of the differences, if any, in working in the arts in the United States versus in the Netherlands and/or other countries where you have worked?

I experienced many differences between the two countries, especially in the way of working. New York demands a 24/7 attitude with a lot of energy and drive. People don’t stop moving and they are always hungry for more. What I really like is that the American industry is open to new ideas even if they are very radical and out of the box. In The Netherlands on the other hand has a calmer rhythm and is most important to achieve a balanced level of quality and quantity. What can sometimes be hard in Europe is that people are not as open to any idea because they have seen such much that people would quickly dismiss something that they don’t find interesting.

Q: You recently went to Paris to work with Thom Browne, tell us more about your experience there?

My trip to Paris was the perfect ending to the internship. I saw how everything came together. From the casting, the fittings, the last minute sewing to the dressing of the models it was a race to the start of the show. I had a lot of hours of labor but the adrenaline kept me on track to work as hard as ever. The experience helped me to have a better appreciation of a professional show; to keep in mind the big picture and to be focused and be consistent with the vision of the spectacle.

You can take a closer look at Thom Browne’s Fall 2015 Menswear collection here. 

Exchange Visitor Profile: Ken Kitano

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In 2013, Japanese artist Ken Kitano trained at ROSEGALLERY in Santa Monica, California, through International Arts & Artists’ J-1 visa program. Two years later, the gallery is featuring his work in a solo show, Now, Here, and Beyond, which will be held from January 17 through March 7, 2015.

Inspired by the rich history and practice of West Coast landscape photography, Kitano’s photographs illustrate the relationship between nature, human life and planetary movements.

Read more about his show at rosegallery.net!

Exchange Visitor Profile: Shariffa Ali

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Name: Shariffa Ali

From: Nairobi, Kenya

Trainee at: Public Theater (New York, NY)

Q: Tell us about one of your favorite projects you are working on in your internship.

I intern for a department in the Public Theater called PUBLIC WORKS, a major new initiative of The Public Theater that seeks to engage the people of New York by making them creators and not just spectators. Working with community partner organizations in all five boroughs, PUBLIC WORKS invites members of diverse communities to participate in theater workshops, to attend classes, to attend productions, and to become involved in the daily life of The Public Theater. PUBLIC WORKS deliberately blur the line between professional artists and community members: it will create theater that is not only for the people, but by and of the people as well.

A highlight this year was working with the cast and production team of THE WINTER’S TALE. This was a musical adaptation of Shakespeare’s play featuring more than 200 New Yorkers from all five boroughs performing alongside professional actors and The Public’s community partners. The show ran for three nights only, September 5-7, at the Delacorte Theater in Central Park. I was part of the team that co- ordinated the cast of community members, I was able to lead and facilitate the artistic process of a variety of people from all walks of life and all ages from itty bitty children to Senior Citizens. I was able to form genuine bonds with the members of the PUBLIC WORKS community ensemble and learn more about directing a large scale production that lies at the intersection between humanitarianism and entertainment.

Q: What is your favorite place to go to in New York?

New York is an incredibly vibrant robust city that is filled to the brim with enchanting and exciting spaces, to fit my every mood and fancy. Each new day offers new locations and nooks to explore and experience- it’s simply too hard for me to narrow down a few favorites. I am lucky enough that my internship requires me to experience each of the 5 Burroughs and I am proud to have been able to comb through the city from the tip of the Bronx to the tail of Brooklyn.

I love strolling past the beautiful brownstones in West Harlem–the Riverside Church with its intricate architecture and interesting attendees is a firm favorite. The Grand central main terminal featuring the famed domed painted ceiling evokes a sense of awe and wonder in me when I am in commute. When hungry for nature, a walk through the flowers at the Highline or a nap under a tree in Central Park will do. The bright beaming lights of the Times Square theatre district late at night have a way of reminding me that I am in fact living in the city of my dreams. An occasional trip to Williamsburg and Bushwick gives a friendly dose of quirky eclectic fun.

Q: Tell us about a funny or interesting moment you have experienced during your program.

Getting lost several times before ultimately finding ones destination can be a frustrating and fulfilling experience. Finding delight in unplanned adventures and encounters and continuing to remain in wonder of ones surroundings. These are just some of the highlights I have experienced during my time in the city. While interning at Public I have had the fortune of meeting some iconic figures in the theatre and film world!

Q: What is your favorite new food you have tried in the United States? What has been your favorite cultural activity so far?

I am a huge fan of Xian Famous Foods in the East Village for their mouthwatering spicy lamb cumin burgers. When I feel like a grown up and my budget permits, I head to The Red Rooster Lennox 125th street for their sleek and slick Harlem atmosphere. My summer favorite is a place I know only as ‘Caribe’ – an informal shebeen style establishment run by a stern Matriarch loved for their super affordable Puerto Rican Beer, Festive atmosphere and complimentary meals!

Q: What are some of the differences, if any, in working in the arts in the U.S. versus in your home country?

There is a vast difference between the infrastructure and funding of the arts in the USA. There are more opportunities and platforms for artists to develop and present their work. Because the arts industry is so large here, it is also extremely competitive and attracts people from different countries who have a plethora of skills and experiences, this makes for a very stimulating work experience. There is also a general sense of open heartedness and a willingness to collaborate. My training in my home country allows me to bring a fresh sense of perspective and approach to all my artistic endeavors which I value tremendously. I think there is a great variety and immense freedom of expression in the arts in the USA.

You can find Shariffa on Twitter and Instagram. 

Exchange Visitor Profile: Tim Fitzgerald

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Name: Tim Fitzgerald

From: Birmingham, United Kingdom

Intern at: Escape Plan Productions (Austin, TX)

Q: Tell us about one of your favorite projects you are working on in your internship.

I am only a month into this internship, and it has been filled with a number of great projects; anything from basic editing, to really involved work from the start of the project to the finish. My personal favorite project I have worked on in my time so far in Austin has to be a 45 second bumper film that we made for Fantastic Fest 2014. Our film, Clownin’ Around (Warning: Contains scenes of violence, horror, and gore), was pretty highly regarded at the festival and almost won an award presented by Edgar Wright. On this set, I was the boom operator and sound designer, so I really got to experiment with some new and interesting design techniques.

Q: Where is your favorite place to go in Austin?

I’m a big fan of exploring cities, so I just like to hang out downtown. The city centre here in Austin is stunning, the buildings look great, everything is clean, and the people are so very friendly. Not to mention there is always something new to find in town every time you go in, be that a store, a bar or an event of some kind. There is just always something going on.

Q: Tell us about a funny or interesting moment that happened during your program.

There is a famous film production studio not too far from the Escape Plan offices, and I have admired one production company there for some time. Seeing a couple of guys from there hanging out downtown was a very surreal moment for me, as I has been a fan of this company for a number of years.

Q: What has been your favorite cultural activity so far?

Certainly the case with Austin, if you want to engage in cultural activity, just go out and meet people. Everyone here is so unique and comes from such a wide variety of backgrounds that it is seemingly impossible to pin down one culture. This may sound really obvious, everyone comes from different places and everyone has different experiences, but here in Austin, it seems to be so diverse in multiculturalism that you are constantly taking part and learning about cultures.

Q: What does cultural exchange mean to you?

Cultural exchange for me means to really engross yourself in a culture that is not your own, really get invested in something that you may not be used to. I personally think cultural exchange is how we grow as people, because we gain a better understanding of the world.

Q: What are your plans for the future once you finish your program in the United States?

I haven’t got anything set in stone yet, but I’m constantly applying for work in film, TV and video game production across the UK. This is a very short term plan, but I really think it will help me build up on my experience to become a better sound designer. As for a long term goal; I’m not certain as of right now, but I’ve always been the type to live on my wit, in that I go with whatever is going on at the time.

You can view more of Tim’s work here.