Host Organization – International Arts & Artists

Alumni Spotlight: Amy Bruning

February 13, 2023 by Caroline

Welcome to our first alumni spotlight of 2023! We are thrilled to feature J-1 research scholar, Amy Bruning, from Scotland. Amy is a mixed media artist who currently lives in Finland where she is pursuing her Master’s degree in animation. From August 2021 until May 2022, she participated in an Artists-in-Residency (AIR) program at Munson-Williams-Proctor Arts Institute (MWPAI) and within the PrattMWP College of Art and Design Program, which was a “truly life changing” experience for her!

Amy’s residency was nothing short of productive. Throughout the 9-month program, she planned and taught community art classes to adults and kids, and facilitated projects for the museum’s Art Alive projects. She also taught two Light, Color, and Design courses to university students as part of the College of Art and Design program. Most excitingly, Amy was able to create works for her own exhibition, Days of Healing, which explored the journey of healing from grief and trauma through the various stages of coping with loss.

Can you tell us what you have been doing since finishing your exchange program?
I am pursuing my Master’s with the Re:Anima: European Joint Master in Animation program. It’s a collaboration between three universities, LUCA School in Belgium, Aalto University in Finland, and Universidade Lusófona in Portugal I am working on a research dossier for an expanded animation installation that I will be working on over the next two years. I recently put together an exhibition of animated projections and animated paintings, which was as part of the research and I will be taking this work further in May of this year during an artist residency in Italy.

Looking back, what are your thoughts about your exchange program?
I had a really amazing time on my exchange. It set me on a new career path and helped me to pursue what I truly wanted to do. Working as a community art instructor, as well as an adjunct professor at PrattMWP in Utica, New York, an extension campus of Pratt Institute in Brooklyn, allowed me to rediscover my love of teaching. I would like to pursue a teaching career in higher education when I finish my Master’s.

How did your experience contribute to your career outside the U.S. and in your home country?
I am now able to live and work as an artist. When I returned to Scotland, I was able to secure another 4-month artist residency. I received a full scholarship for this Master’s program, which allows me to work on my artistic practice freely for the next two years. Prior to the exchange, I was supporting myself by working as a designer and editor while trying to pursue my artistic practice in the evenings and weekends. It was quite difficult and I didn’t enjoy the jobs I had. This opportunity gave me a huge boost in my art career and I do not think I would be where I am now without it.

Do you have any specific advice for new exchange visitors coming to the U.S.?
As soon as you arrive, try to immerse yourself into the place you are staying. Ask everyone you meet to go for a coffee and just really put yourself out there. Say yes to every opportunity and try to travel as much as possible.

Audrey Hasen Taylor, Community Arts Education + Residency Director at MWPAI, also shared thoughts with us about Amy’s residency.

“Amy immediately became very active and involved in our local community. She initiated both personal and professional meetings and connections with a variety of creatives in our area; she was commissioned to create a mural in a new retail shop here in Utica. We cannot say enough great things about Amy. We are lucky to have a part in her early art and teaching career.”

We can't wait to see what Amy does next!

If you are a visual artist looking for Painting or Drawing residency, the AIR program that Amy attended is accepting applications through March 20, 2023. Learn more about the AIR program here, or send us as email at outreach@artsandartists.org to learn about our exchange opportunities.

Can you name five women artists?

August 22, 2019March 8, 2019 by Jennifer Schrock

Can you name #5WomenArtists? We can! We’re joining the National Museum of Women in the Arts and other arts organizations around the world to celebrate women artists and promote gender equality in the arts.

This Women’s History Month, IA&A is taking the challenge and sharing the stories of several spectacular women artists who have participated in our Exchange Visitor Program. We are so proud to have such brilliant, creative, and inspiring women in our midst that it was so tough to choose only five! Read on to celebrate these artists and join us in contributing to the dialogue on gender inequality in the arts by using the hashtag #5WomenArtists.

Mia Riley

Hailing from Canada, Mia Riley is an emerging ceramic artist who finds inspiration while adventuring in nature. A graduate of the Alberta College of Art and Design, she has also completed residencies at the Banff Centre for Arts and Creativity, researching wood kiln building, alternative making processes, and the natural disasters that have affected her home province in the last decade.

She recently finished an eight-month long internship with Harvard University’s Ceramics Program as part of IA&A’s Exchange Visitor Program. During her program, she had the opportunity to explore her own art practice and gain hands-on experience running studio operations.

As Mia says, ceramics allow her to depict abstractly her experiences into tangible three-dimensional objects, emphasizing the transience of landscape and subtly referencing our place within the natural system. Her favorite part of interning in Boston was being able to meet new artists and share experiences. “Because the Harvard studio is home to a large number of artists, professionals, and students at many stages of their careers, I had the chance to meet and exchange ideas on many levels,” she told us. “It has inspired me to see how ceramic art and pottery can exist in many different aspects in one’s life and career.”

To learn more about Mia, check out IA&A’s profile on this talented artist! You can also find out more about her work by visiting her website or following her on Instagram!

Romina Schulz Rosas

Romina Schulz Rosas is a Peruvian feminist textile artist and graduate with a painting specialty from the Pontifical Catholic University of Peru. Her work focuses on exposing problems Peruvian women face under current socio-cultural taboos and constructs. More specifically, how female bodies have become territory and space under the colonizing gaze of a patriarchal, oblivious androcentric context which treats them as disposable.

Part of her effort to expose this phenomena is in the creation of her project, Que rico menstruo, where she gives embroidery workshops to begin to dismantle the stigma surrounding menstruation. As part of the project, Romina prompts interventions on pieces of clothing, focusing on the groin area, with materials of various shades of red, simulating a menstruation blood stain.

Romina is currently in the Artists in Residence (AIR) program at the Textile Arts Center in Brooklyn, NY, through IA&A’s Exchange Visitor Program. The AIR program equips emerging artists and designers with resources and skills to better articulate their practices and contribute to their communities. It combines studio access with a rigorous interdisciplinary curriculum, regular critical dialogue, and mentorship.

You can find out more about Romina’s work by following her on Instagram!

Stevennina Drassinower

Stevennina Drassinower is an extraordinary sculptor currently interning at Oxman Studios in Washington, DC. She describes her work as relating to sculptural metal, telling us “I make aesthetically interesting things, mostly out of metal. Sculpture is where I found my calling, and metal is where I really found my voice.” Through her exchange experience she learned a tremendous amount about art as a business, refining design and idea generation, as well as technical metalworking skills.

“There is not a single part of me as an artist that has not been touched and made better by my experience at Oxman Studios. I’ve learned sustainable, practical strategies for handling the balancing act between being an emotionally sincere artist, and a regular person with practical needs, and life outside work. At the same time, I’ve been learning to create art that has wildly surpassed my own expectations of what I was capable of.”

“Before coming here, I had a vague dream to make a career selling my art, but had no real idea how to make it happen. In my time at Oxman Studios I’ve experienced the daily minutiae of studio life, and exhilaration of truly inspired creation. When all this is over, and I fly back to Canada, I'll leave knowing that through this experience, my artistic visions have been made more grand, and my toolbox more full.”

You can find out more about Stevennina’s work by following her on Instagram!

Anyuta Gusakova

Anyuta Gusakova is a classically trained contemporary artist from Canada who works in multimedia sculpture and painting. She's a self-proclaimed “sculptor of dreams”, telling us:

“I am a dreamer, I have all sorts: happy dreams and dark dreams. Dreams for children and dreams for adults, 2D dreams and 3D dreams. They come to me when I sleep or day-dream. My job is to materialize them in acrylic or watercolor, clay or stone, metal or paper whichever form they want to take. I help the dreams to escape from their ethereal kingdom and fill our world with their mysterious, irrational beauty.”

Anyuta combines principles of classical art with craft applications, folk, and mythical motifs through her signature brand slip-cast porcelain functional and decorative objects. Her sculptures are on public display at the Vancouver International Airport and Vancouver Playhouse. Additionally, she recently won a commission to design and create a porcelain statuette for the new national Canadian Legend Award and she has been a finalist in several major international ceramic competitions in the United States, Canada, and France.

Anuyta is currently completing a residency program with Pottery Northwest in Seattle, WA, through IA&A’s Exchange Visitor Program. During her residency, she is growing as a ceramic artist, engaging in the community, and further developing her body of work.

To learn more about Anyuta, visit her website or follow her on Instagram!

Liene Bosquê

Liene Bosquê is an accomplished Brazilian visual artist and art educator currently based in New York and Miami. She also knows #WhyHostingMatters! Last year, she hosted exchange visitor Romain for a three-month internship with her studio.

Liene’s work is inspired by the relationship between people and place. She evokes memory, context, and history in the traces, shadows, impressions, imprints, and reflections within her multidisciplinary installations, objects, and site-specifics. She seeks to “investigate the passage of time, which changes place and how we look at place, through the presence and absence of who inhabit these places.” On top of her own art, Liene currently teaches sculpting workshops for immigrants in the New New Yorkers Program at the Queens Museum.

Her work has been exhibited extensively across the United States and internationally, including exhibitions at MoMA PS1 (2016), William Holman Gallery in New York (2015), the Museum of Contemporary Photography in Chicago (2013), Carpe Diem in Lisbon, Portugal (2010), and Museu de Arte de Ribeirao Preto in Ribeirao Preto, Brazil (2007), to name a few. Her work has also been displayed at nonprofit galleries and public spaces worldwide.

To learn more about Liene, visit her website or follow her on Instagram!

Host Spotlight: The Louis Armstrong Center for Music and Medicine

August 22, 2019November 1, 2018 by CEP Intern

Since 1994, the Louis Armstrong Center for Music and Medicine (LACMM) at Mount Sinai Beth Israel in New York has been providing music therapy clinical services both in the hospital and in the community. By using music within the therapeutic relationship, the team at LACMM is able to address the many physical, emotional, cognitive, and social needs of patients. The music therapists at LACMM work with patients at all stages of their life, from premature infants to patients recovering from surgery to end-of-life care, making it an ideal complement to traditional medical treatment. As Dr. Joanne Loewy, Director of LACMM, explains “We are truly in-tune with our patients!”

Each year, International Arts & Artists partners with LACMM to provide J-1 visa sponsorship for international fellows and graduate interns participating in the Center’s educational and training program. LACMM’s program focuses on specialist-level care, giving fellows and interns the opportunity to develop professional skills including the principles of music therapy assessment, ethics, treatment planning, evaluation, and more.

We recently caught up with John Mondanaro, Clinical Director at LACMM, to learn more about LACMM, its training programs for future music therapists, and its experience working with international exchange visitors. “International Arts & Artists has been tremendous resource for talented individuals wishing to participate in all that the LACMM has to offer,” John told us. “As a grant funded program, the LACMM’s ability and desire to host such individuals has come to fruition more fluidly with the International Arts & Artists’ capability to provide sponsorship unique to each situation.”

What’s a day in the life of an exchange visitor at the LACMM like?

A day in the life of one of our exchange visitors can begin with a didactic seminar focusing on current methodology, experiential of clinical intervention, and trial within a lab-format. Clinical supervision with a designated licensed and board-certified music therapist on staff follows. Here the exchange visitor is provided with confidential space in which to process feelings, challenges, and successes he or she may be experiencing. The day can unfold as spontaneously as one might expect in a busy acute care medical setting in one of the busiest cities in the world. Clinical observation and application of learned interventions; participation in various research protocols in which the exchange visitor is either gathering data and questionnaires, or providing the music based intervention under investigation; sending time in outreach efforts, are all possibilities. The LACMM’s involvement in cultural initiatives and staff wellness offerings may draw the exchange visitor into the provision of such offerings. There is often time built into the day for exchange visitors to read from the LACMM’s library of our own publications, or visit the medical library to expedite literature review on a clinical phenomenon that the LACMM is studying. Additionally, exchange visitors are encouraged along with our interns and fellows to practice musical skills on the assortment of instruments that we maintain in our inventory. An ending of the day may be spent in attendance to one or our outreach efforts with marginalized populations such as a community choir for stroke survivors or a support group for individuals living with chronic obstructive pulmonary disease, asthma, or HIV.

What are some of your favorite things about hosting exchange visitors?

LACMM has had a growing presence internationally for 25 years, because our model of Medical Music Psychotherapy across the lifespan is unique in the world. Dr. Joanne Loewy and the LACMM team of therapists remains at the cutting edge of research and clinical practice, which draws much attention from music therapy students and professionals worldwide. The ability to share what we are growing with exchange visitors is a privilege that is made possible by the sponsorship opportunities afforded by International Arts & Artists. That many of our trainees will build programs in their own countries gives us tremendous pride, because at the center of such programming is the wellness and care of others.

What are some of the cultural activities that exchange visitors participate in during their program?

New York City offers a wide range of cultural events, some of which have affiliations with the LACMM. Our work with Lincoln Center in a program for adults with Alzheimer’s stands among many opportunities for the visitors’ exposure and immersion in this rich art scene. The LACMM has hosted visits with such music celebrities as Jon Batiste to the inner city schools of New York to promote music therapy with Asthma; conducted wellness groups and workshops with the Actor’s Fund; hosted departmental visits with opera star Renee Fleming, Grammy winner, Cheryl Bentyne of the Manhattan Transfer; and has welcomed and honored at our annual What A Wonderful World Gala, such celebrities as Jon Hendricks, Pete Seeger, Levon Helm, Dionne Warwick, Vanessa Williams, Dave Brubeck, Jon Batiste, Roy Haynes, and Bernie Williams.

What is the value to LACMM in hosting international visitors?

The LACMM receives from its visitors and trainees in the same spirit in which it gives: sharing the gold and planting seeds for future music therapy programs that will benefit people around the world. Cultural diversity stands at the forefront of healthcare initiatives, and the LACMM endorses music and music therapy as the treatment modality that unabashedly meets these initiatives because nothing like music can both viscerally engage and also transcend cultural barriers. By hosting candidates from around the world, we inspire this philosophy in others.

Host Spotlight: UnionDocs

August 22, 2019April 13, 2018 by Jennifer Schrock

Based in Brooklyn, NY, UnionDocs (UNDO) is a non-profit Center for Documentary Art that presents, produces, publishes, and educates. It brings together a diverse community of activist artists, experimental media-makers, dedicated journalists, big thinkers, and local partners to search for urgent expressions of the human experience, practical perspectives on the world today, and compelling visions for the future.

Each year, International Arts & Artists partners with UNDO to provide J-1 visa sponsorship for international fellows participating in the Collaborative Studio (CoLAB) program. This ten-month fellowship brings together individual talents, voices, and stories to create multi-dimensional documentaries. CoLAB offers a platform for these artists to explore contemporary approaches to the documentary arts and a process for developing an innovative collaborative project. The program consists of weekly production meetings, seminars, screenings and other public programs, along with regular masterclasses and critiques with visiting artists.

We recently caught up with Ansh Vohra, one of the 2017-18 CoLAB fellows, and Sarah Lerner, UNDO’s Director of Operations, to learn more about the CoLAB program and UNDO’s experience as a J-1 host organization.

Sarah, what are some of your favorite things about hosting exchange visitors?

We are able to host up to six international fellows and six local fellows each year as part of our CoLAB program. The opportunity is as valuable for us as it is for them, as we greatly appreciate being able to expand our documentary arts community on a global scale. We have extensive international partnerships on our public facing events and workshops by bringing together artists, journalists, critics and curators from around the world, so we feel it is important to continue the tradition within the film production side of the organization as well. One of our primary goals as part of our fellowship program is to create multi-dimensional pieces in a collaborative format, and cross-cultural exchange is one of the most effective ways to do that.

Ansh, what impact has your J-1 experience with UnionDocs had on your life and your career?

UnionDocs came into my life at a time when I was just beginning to comfortably settle into my work as a filmmaker. However, I wasn’t sure that being comfortable was the right thing to do at the age of 25. I began making film four years ago and I couldn’t help but wonder whether I’d pushed myself to have new experiences. My time here at UnionDocs has been a big step forward in overcoming that obstacle. I’ve had the opportunity to challenge my notions of what makes for a good film, and I feel as though I will come out of this opportunity a filmmaker who isn’t afraid to take risks. Additionally, living in the United States, and in New York especially, has given me the opportunity to interact with cultures that I wouldn’t otherwise be privy to back home in Delhi. I’m working on projects that focus on people of Indian, Syrian and Azeri origins, something that probably wouldn’t have been possible in any other city in the world.

Sarah, what are some of activities that CoLAB fellows get to take part in?

Our fellows spend ten months at UnionDocs, meeting twice a week for production meetings, master classes and seminars with notable members of the documentary field. We have had the opportunity to work with notable filmmakers (such as Deborah Stratman), radio producers (such as Jad Abumrad) and curators (such as Sally Berger). We are sponsored by AbelCine, one of the industry’s most comprehensive sources for state-of-the-art camera equipment and accessories. Our fellows receive training support from AbelCine staff. We are also sponsored by Canon, who lease cameras for Collaborative Studio productions.

Ansh, what are some of the projects that you’ve been working on during your time at UnionDocs?

I’m currently working on three documentary projects at UnionDocs, two of which I’m directing. The first one is a film that follows three immigrant narratives that originate within a 100 miles of each other in Punjab (India) and culminate in a taxi school in Queens, NY. The second one, which I’m co-directing with Daniel Sitts, is an animated film that chronicles the family history of some of the first few Syrians to arrive in the United States back in the 1890s. The third one follows an Azerbaijani family and tells the story of a generational divide between a traditionally Azeri grandmother and her American granddaughter.

Sarah, tell us about some of the cultural activities that UnionDocs fellows participate in during their program!

Our fellows are able to attend all of the 100+ events held at UnionDocs free of charge, and are encouraged to do so. We take an annual trip to the Camden International Film Festival in Maine each fall. Group field trips have also included Documentary Fortnight at MoMA, Art of the Real at Film Society Lincoln Center and HotDocs in Toronto. In addition, we share word of local events at other micro-cinemas and festival opportunities that might be of interest.

Ansh, what does cultural exchange mean to you?

Over the past couple of months, I’ve had the opportunity to meet and work with people from diverse backgrounds and cultures. We’re a group of people you would usually have never found inside one room had it not been for a program like UnionDocs and International Arts & Artists. To work with all of them as equals, exchange ideas, collaborate on projects and become friends has been an incredible experience. I will hopefully be in touch with everyone for a long time.

Learn more about the CoLAB program here and follow Ansh Vohra on Instagram!

How to Find a Host Organization

August 22, 2019February 13, 2018 by CEP Intern

We all know that looking for the perfect internship or training program can sometimes feel like searching for a needle in one of Monet’s haystacks paintings! Finding the right host organization can seem like a daunting task, especially when you’re living in a different country. But it can also be a fantastic learning experience that helps you expand your professional network and pushes you outside your comfort zone!

While IA&A can’t find a host organization for you, we can provide recommendations, tips, and tricks to landing your dream internship or training program. We recently caught up with J-1 trainee Sarah for some advice on navigating the application process and snagging the perfect host organization. Keeping reading for 4 ways to find a host organization and start your adventure today!

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NETWORK, NETWORK, NETWORK

A great place to start looking an internship or training program is on job posting websites like Indeed, Glassdoor, Idealist, or i nternships .com. But did you know that many of the best positions are “invisible”? These positions are not posted to the public because the organization might be looking for someone they already know. This means that you have to do some networking! However, networking doesn’t necessarily have to happen face-to-face. LinkedIn, Twitter, Facebook, and Instagram are great places to look for and connect with potential host organizations.

Sarah, an exchange visitor who trained with a design firm in Florida, told us that she used social media to reach out to studios or artists that inspired her. “For me, I found my (eventual) host through Twitter and Linkedin! You need to find the platform where geeks from your industry gather to share ideas,” she explained, adding “Networking is so important. You never know who you’ll meet!”

So, don’t get caught in the trap of using the same few aggregated internship posting sites as everyone else. Use the many resources at your disposal, whether it’s connecting with host organizations through your professional and academic networks or deciding to send out email inquiries. Even something as easy as following and engaging with interesting organizations on social media can lead to interesting opportunities!

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DO YOUR RESEARCH

Sarah emphasized the importance of doing your research and developing a relationship with a prospective host organization. “Approaching a potential host for an internship is like approaching a potential employer when they’re not even offering a job,” she said. “I had first contacted [my host organization] in university. I didn’t originally contact them in pursuit of an internship. I wanted to become friends first and therefore could see if we would be compatible in working together.”

While pursuing an internship or training program with a potential host organization, it’s important to research the company, their work, and the industry in which they operate. This will give you a good sense of what the company does and what they would be like as a host organization. If you have the chance to meet for an informational interview, “compliment or question parts of their portfolio that intrigue or inspire you” said Sarah. She also recommended asking about their journey as a company and even asking for feedback on your own portfolio. “Almost all professionals were students or interns themselves at one point so they understand!”

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HONE YOUR PROFESSIONAL SKILLS

Once you’ve found and developed a relationship with a host organization, Sarah advises not to simply stop there! To set yourself apart from other interns, she recommends further strengthening your professional skill set before you start your program. “It was important that I taught myself as much of the basic skills as possible before I arrived, so I didn’t waste any time when I got there,” she told us. “This means that when it comes to participating the actual internship, you can focus on the more industry specific skills you can’t teach yourself, or find online. I’ve learned a lot about time management, specific presentation layout, scaling and other things I don’t think I could have ‘Googled’ on my own.”

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ALLOW YOURSELF TO BE INSPIRED

Think of your internship or training program as an opportunity to test-drive a career, rather than just a place to gain work experience in a professional setting. “Find out who or what inspires you and where you want to steer your career,” Sarah told us, adding “Then see if you can mold the things that you love into something you could get paid to do.” But perhaps one of the best parts to finding the perfect host organization is the (sometimes unexpected) impact it can have on your career path. “Like everything in life some things don’t go according to plan,” Sarah explains. “Even those things will be a learning curve. It’s all part of the journey.”

Host Spotlight: Dallas Museum of Art

August 22, 2019January 30, 2015 by CEP Intern

Q: What are some of your favorite things about hosting exchange visitors?

For over forty years, the McDermott Internship Program at the Dallas Museum of Art has laid the foundation for many burgeoning professionals to pursue careers in museums and the arts. We encourage each intern class to interact both professionally and socially, to provide a complete and well-rounded internship experience. With their diverse backgrounds and unique experiences, international interns bring a global perspective that the group would be lacking otherwise. We appreciate being able to expose intern classes as well as Museum staff to museum practices from around the world as shared through our international exchange visitors.

Q: What are some of the interesting work-related tasks that Dallas Museum of Art interns get to do?

Not only do McDermott Interns have direct interaction with their respective supervisors and departments, but they are also able meet and work with staff across all departments of the Museum and work on projects both big and small. Some tasks completed by interns this year include creating an interpretive brochure for the special exhibition Bouquets: French Still-Life Painting from Chardin to Matisse, translating condition reports for incoming works of art from German into English, and helping to lead various education programs for visitors ranging from babies to adults.

Q: What are some of the cultural activities that Dallas Museum of Art interns get to take part in?

The Museum arranges cultural opportunities for each McDermott Internship class including visits to area museums, attendance to performances at various Dallas Arts District performing art venues, and tours of local private art collections, among other activities. Interns are also able to apply for $500 toward qualified professional development, which many have used to present papers and attend conferences at cities throughout the United States.

Q: What is the value to the Dallas Museum of Art hosting international exchange visitors?

As mentioned above, it is a wonderful opportunity for interns as well as for the DMA staff who work with them to gain diverse global perspectives on museums and the art world.

Q: What should people do if there are interested in applying to the Dallas Museum of Art internship program?

The Dallas Museum of Art offers nine paid internship positions in the Education and Curatorial Divisions, open to individuals with undergraduate or graduate degrees who are interested in exploring museum careers. Applications are available online at DMA.org/Internships each January, with interviews happening throughout the spring, for the upcoming fall internship class.

Host Spotlight: WORKac

August 22, 2019October 30, 2014 by CEP Intern

WORKac, based in New York City, is interested in positing architecture at the intersection of the urban, the rural and the natural. WORKac has achieved international acclaim for projects such as the recently completed master plan for the New Holland Island Cultural Center in St. Petersburg, Russia, Wieden+Kennedy’s 50,000 sq ft, three story New York offices, the Blaffer Museum in Houston, Texas, the Children’s Museum of the Arts in Manhattan and the Edible Schoolyard at P.S. 216 in Gravesend, Brooklyn.

We got in touch with Sarah Dunham, Director of Communications at WORKac, to hear her thoughts about being one of our host organizations.

Q: What are some of your favorite things about hosting exchange visitors?

We love having a diverse group of international people in our office! Hosting J1 exchange visitors allows us to work with architecture students from around the world, which brings fresh perspectives to our office on a regular basis.

Q: What are some of the neat work-related tasks that WORKac interns get to do?

Interns at WORKac are involved in nearly every phase of the design process for projects that they work on. In addition to 3D modeling and rendering, interns are crucial to the physical model-making process, which is an important part of the design process at WORKac. Helping to translate design ideas into physical models allows the team to test ideas quickly and understand the spatial implications of a range of design options for various aspects of a process.

Q: What are some of the cultural activities that WORKac interns get to take part in?

Depending on what part of the year they have joined the office, interns generally get to enjoy the annual summer party out in Rhode Island which involves camping, kayaking, beach days, and good food, or the annual holiday party which has featured epic karaoke in the past. Every so often interns will get to visit some of our recently completed projects including the new offices for Wieden+Kennedy New York and the Edible Schoolyard Project at PS216. Rarely (but it does happen!) interns may get to attend an event hosted by Zero + Maria Cornejo, a brand whose retail stores we designed a few years back. In addition, we tend to have happy hours in the office every few weeks and we always send interns off with a small get-together to say thanks!

Q: What should people do if they are interested in applying to the WORKac internship program?

We receive applications on a rolling basis so they can send any materials to hr@work.ac. We are not able to host a ton of people at a time so spots are a bit limited but we would love to talk with any interested students!

You can view WORKac’s portfolio here.